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On The Scene in Philadelphia

On the Seen in Philadelphia…

Anne Bouie

 

New Narratives and Reinterpretations was the theme of an informal panel discussion that explored the trend among African American artists to use historic text and images in their narratives, examine new perspectives and utilize new creative formats. I first learned of the event from George-McKinley Martin‘s blog, The Black Art Project— a great place to keep up with all that’s going on across the country.  The moderator of the panel was Professor Keith Morrison, Tyler School of Fine Art, and included Tanya Murphy Dodd, of Philadelphia, Pamela Phatsimo Sunstrum from Baltimore, Leticia Huckaby from Ft. Worth, and Nsenga Knight of Brooklyn. 

 

August 7 was one of those this-is-why-we-live-in-Philadelphia summer evenings---immensely walkable and enjoyable: people on the street strolling, with great energy which flowed right into the Glass Lobby Gallery at Brandywine Workshop’s Print Shop and Archive. Located in Philadelphia’s Avenue of the Arts District at 728 South Broad Street, the Workshop opened its printmaking studios to guests and participants, who had come to mingle, share and incorporate new knowledge, meet new folk, and reconnect with old friends. I finally remembered the old Woody Allen quote: “eighty per cent of life is just showing up!”  Allan Edmunds, the Executive Director made the evening sound so exciting that I could not bear to have said I could have gone and didn’t; good friend Aziza Gibson-Hunter asked that I make sure to tell her about it.

 

So… I got the bus schedule, checked around for hotels, and booked a room at the Latham that beat the price at the Holiday Inn— nothing like cash flow as a sign from the Universe! I felt even more at home upon seeing Otis Robertson, a long-time Board member at Brandywine, and frequent presence here in Washington, DC. He is a regular at the Millennium Arts Salon, and worked with Lynn Sylvester and Margie Bates to establish a Friends of Brandywine chapter here as well. John E. Dowell,Jr. Professor at Temple University was in attendance, as was A.M. Weaver, who is curating a retrospective of E. J. Montgomery’s work at Morgan State University’s James E. Lewis  Museum in October, 2010.

 

 

Keith Morrison, the former dean and currently a professor at the Tyler School of Fine Art provided context for the panel, stating that the convergence of the artists at Brandywine prompted organizing the panel around the notion of the past is not really the past at all—its all around us. He stated that we cannot avoid history and that our definition of self shifts as we reengage with historical documents.

 

Tanya Murphy Dodd, shared it was the realization that all the elders of her family were passing which stirred her to “want to know who these people were”, and document their existence before it was forgotten and lost”….One strain of her work incorporated her photography—she “still uses film” and actually makes her own cameras! She was interested in, and motivated by “the recovery of history”, and felt that being a storyteller she presented an “evolving definition of truth” in her work.

 

 

Letitia Huckaby of Houston stated that much of her inspiration and use of textiles---quilt pieces and remnants, old fabric and flour sacks---stemmed from a desire to affirm and validate people who were often seen and treated as if they were “leftover and tossed away scraps”. Her wedding dresses made from yoyo quilt pieces emanated regard for the work, creativity and practicality of the women who created this still-popular quilting piece, and she  incorporated traditional African American quilt pieces—Blocks and Strikes, and the Double Ring quilts; she also spent time with the legendary quilters of Gee’s Bend. Her “conversation with historical documents” helps her grasp the meaning behind them, and shared her deep identification with the pieces, “they are so personal”.

 

Pamela Phatsimo Sunstrum of Baltimore, who was born in Botswana, and has done installations in such places as Johannesburg, South Africa, used the creation of an alter ego, Asme” to chart and document journeys across time and space. Like many mythic characters, what Native Americans, Africans, accompanied Asme and other pre-conversion cultures would call a “totem”-the Canadian grey goose. The traditional meaning, or “medicine” of the goose is that of travel, instinctive guidance, or direction. At one point, Asme has to sacrifice her goose in order to survive; one only hopes that there will be some way to resurrect her…Asme travels took her far way from home to new and strange lands where she had to recreate herself and make meaning of strange new settings and beings---a very telling theme in the history of Africans in the Diaspora….

 

Finally, Nsenga Knight of Brooklyn presented photographs and compositions based on Islamic and New World motifs and incorporating iconic figures in African-American history, and experienced “art as a political platform for community activism and awareness” because we need to revisit the past. She spoke of the need to revisit the past because its residue persists over time and leaves their mark on us…

 

Audience members asked panelists about how they saw their work evolving, what were the current challenges they faced, and, of course, when and where was the next exhibit going to be.

 

I found affirmation and a sense of community as an artist and a historian. I will confess that I share the same need to affirm my ancestors and reinterpret the ways in which their lives and experiences have been defined and articulated by the larger society. History is being rewritten and experienced but, more importantly, truth that is crushed to earth does and will rise again. The panel sparked me to reflect in these ways.

·      What did the lives of our ancestors mean to them; is it different from the meanings that we attribute to them?

·      How do we think of what their lives were and meant?

·      Just how did they view their world, and all its complexity—and how did they respond to it?

·      Did they respond in the ways we thought they did, or the “historians” –and we do need to ask ourselves which historians—depicted and interpreted?

·      What is the legacy of the past—in all spheres-social, politics, economics, spiritually-- and how are we building upon it? 

·      How do we experience the river of our roots running through us? What do they water; where are the dry spots, and how do we direct the healing streams to them?

I look forward to continuing this discussion, and certainly my next visit to the Brandywine Workshop.

 

Anne Bouie is an artist, writer, educator and historian. She works and lives in Washington, D.C., and may be reached at: This e-mail address is being protected from spambots. You need JavaScript enabled to view it .
 
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AFRICOBRA ARTISTS Historical Video Now Available .

I SEE YOU Click on the following link to view the new video, which reflects on the founding of the Chicago group of African Commune of Bad Relevant Artists who created art that spoke to the community with positive images of its people during the height of the Civil Rights Movement.

http://vimeo.com/9052822

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The Brandywine Workshop present “Part II: Print Out”

The Brandywine Workshop, in cooperation with and hosted by Projects Gallery, 269 North Second Street, in the Northern Liberties section, will present “Part II: Print Out,” a two-part, two-month exhibition of prints by culturally diverse...

To read the rest of this article, please click on the link below:

http://www.examiner.com/x-31326-Philadelphia-Culture--Events-Examiner~y2010m1d14-The-Brandywine-Workshop-present-Part-II-Print-Out?cid=email-this-article

Brandywine Visiting Artists Fellowships, Regional and Young Artists in Residence

The Visiting Artist/ Artist in Residence program is a series of short-term residencies (one-two weeks maximum) for talented visual artists in the production of limited edition original lithographs using a Dufa flat –bed offset press and the secondary option of silkscreen and relief printing. The master printer assists artists.  Travel and accommodations are provided by Brandywine. Artists receive one-half of each edition produced, which do not exceed 100. An Artist Advisory Committee reviews the submitted applications and based upon available funding, recommends the top candidates. Notification can take up to six months.

 Visiting Artists

Until further notice, Brandywine is unable to accept new applications. This is due reductions in funding and an organizational emphasis on artist selection based on specific themes designed to create new work that would augment gallery exhibition programs. Brandywine is preparing an initiative to attract applications from young minority artists from diverse backgrounds and geographic locations. 

 Regional and Young Artist in Residence

Due to budget cutbacks, Brandywine will only accept new applications for local artists. If you live in the Philadelphia area and do not require travel and accommodations, you can apply. Please submit 10 images, a resume and brief statement of what your project would be.  Residencies may extend to two- months for those unable to spend consecutive days on- site.

We are organizing our Fall 2010- Summer 2011 Schedule and would consider you, if approved, for a slot during that time period. You should suggest a time slot that would be most attractive for you. Allow 6-8 weeks for a response. Mail your information to Brandywine Workshop 728 S. Broad Street, Philadelphia, PA 19146.

 

Brandywine announces the Arts4OurSake networking community for urban high school students.

The Brandywine Workshop wishes to build a cyber community of high school students nationally, especially those in large urban school districts. Our goal is to address a need for dialogue and peer-to-peer mentoring/ assessments centered on their art and career aspirations. In particular, Brandywine is proceeding on a theory that many minority art students in urban districts are without the benefit of professional role models/mentors and exposure to successful artists, architects, graphic and fashion designers, and creatives in visual media (film, video,digital graphics). We are assisted in this effort by members of the creative collective Apogee@brandywineworkshop. Check out our current video documentation project on Nutrition at https://brandywineworkshopstudents.wordpress.com

This lack of access and limited knowledge of the cultural contributions and achievements of people of diverse ethnic backgrounds sets artificial limits on students ability to use their passion and talents to plan a career in the creative economy. Arts4OurSake is an initiative of Brandywine to address the need for mentoring and exposure across generations to ensure greater access and improve the guidance that can be offered to students (9th-12th grade). Many of the students we hope to reach and engage may be the first generation to apply to college or the first to aspire to a professional career as a visual artist or other creative profession. 

Brandywine is offering the following solutions to high school art students who wish to learn about training, financing, personal sacrifice, self-development, and strategies they can use to grow and have a successful career.

  • Build a network of students with similar needs and ambitions who can serve as peer-to-peer mentors in helping to recommend art schools and colleges, evaluate their portfolio, and even offer suggestions on how to address classroom assignments based upon success they may have had with a similar class project.
  • Identify with professional artists who are willing to review their portfolio in preparation for submission to colleges. This would include an early review in 11th grade and a final or late review in 12th grade. Some of these well established artists may serve as references and, depending upon geographic location, mentors to students.
  • Provide suggested sources for research assignments such as books or links to artist web sites, archives and institutions where they can view and learn about the work of an artist.This  is extremely helpful to students who want to learn about artists with a similar heritage or explore questions and trends in art history from a more diverse perspective than what the classroom teacher may be able to share.
  • Establish, early on, a network of students who are mutually supportive and encouraging of the aspirations of  each other, many of whom will become the established artists and leaders of the future. This initial start at networking in a field so dominated by one's ability to form connections between people and resources, will help over time to address to lack of access minority professionals experience in the creative economy.

If you are a teacher, student, friend or parent of the type of student we are targeting, please sign up to join the Brandywine Facebook community or email us at This e-mail address is being protected from spambots. You need JavaScript enabled to view it to join our Art4OurSake High School Community.

We are hoping students from the following high schools will participate immediately as our director, Allan L. Edmunds, has visited your school within the last two-years to discuss the networking opportunity with your teachers or administrators.

Carver College Prep High in Atlanta , GA

East Oakland High in Oakland, CA

South Philadelphia High in Philadelphia, PA

Roxborough High in Philadelphia, PA

Overbrook High in Philadelphia, PA

Parkway Program Center City High in Philadelphia, PA

Greenfield High in Los Angeles, CA

WE WANT TO HEAR FROM STUDENTS IN AS MANY URBAN HIGH SCHOOLS AS POSSIBLE.

 

Thank you to Brandywine Friends!

 2008-2009  Memberships and Private Contributors

 $3,000 or more                           

                                            Jean and Robert Steele, Ph.D., College Park, MD

                                            Anne and Allan Edmunds, Philadelphia, PA

                                            Cynthia Barnes, MD, Washington, DC

 Juanita and Melvin Hardy, Jr, Silver Spring, MD

 Elizabeth Werthan and Robert Brand, Philadelphia, PA

 Nashormeh and Delroy Lindo, Oakland, CA

 

$1,000 –$2,999                                      

                                            The Washington, DC Chapter,  Friends of Brandywine

 The New York Chapter, Friends of Brandywine

                                            Laura and Paul F. Keene, Jr., Warrington, PA

                                            Teresa and J. Otis Smith, Philadelphia, PA

                                            Lynn Claytor-Hitschler, Villanova, PA

                                            Ann d’Haroncourt, Philadelphia, PA

                                            Linda Lee Alter, Philadelphia, PA

                                            Elizabeth Wilson and Ted Agoos, Philadelphia, PA

                                            Louise D. Stone, Chapel Hill, NC

 Maryann and Elmer P. Smith, Mt. Laurel, NJ

 Maryetta Ball, Philadelphia, PA

                                            Greta Goodwin, Washington, DC

                                            Gail P. Smith, Washington, DC

 Sande Webster and James Brantley, Philadelphia, P

 Gail Hawkin-Bush, Philadelphia, PA

 Gail C. Chavis,. Philadelphia, PA

 Dr O. Jackson Cole, Washingtron, DC

Jeffrey A. Cruse, Philadelphia, PA

Alexa Donaphin, AIA, New York, NY

Mr. and Mrs. Steve Farrow, Washington, DC

Shimla and Craig Harris, Washington, DC

Juanita and Neil Hartbarger, Washington, DC

Dr. Grace Hampton and M. Nadhir Ibn Muntaka, College Park, PA

Sterling H. Johnson,III, Philadelphia, PA

Colette and  Skip Lee, Philadelphia, PA

Gena and Gordon Linton, Rockeville, MD

Dr. Diane Whitfiled-Locke, Washington, DC

Mary and Charles E. Mather, III, Philadelphia, PA

Judith and Lewis Tanner Moore, Warrington, PA

Mr and Mrs. Richard B. Owens, Wynnewood, PA

Robyn R. Jones and Adrian Moody, Esq., Philadelphia, PA

Kathleen Wilkes, Philadelphia, PA

Mr. and Mrs Richard B. Owens, Radnor, PA

                                           Mr. and Mrs. Otis Roberston, Abington, MD

Marie and Martin Robinson, Cherry Hill, NJ

Gloria R. Sultan, Washington, DC

Vernis M. Welmon, Ph.D., College Park, PA

Joseph Williams, MD, Philadelphia, PA

Shimla and Craig Harris, Washington, DC

Streling H. Johnson, III, Philadelphia, PA

Steve Farrow, Washington, DC

Carole H. Woolfork, Washington, DC

                                          Antoinette G. Young, Hampton, VA

                                          Kenneth Montague, DDS, Toronto, Ontario Canada

 

 

$100-$999                            

                                            Ann and Roy Wilson, Plymouth Meeting, PA

                                             Mark Grayer, Bethesda, MD

                                            Willie Lee Nattiel, Esq., Nattiel and Associates, Philadelphia, PA

                                            Julie McGee, Ph.D., Brunswich, ME

                                            H. Richard Black, Ph.D., Dayton, OH

                                            Andrea Cottman, Sag Harbor, NY

 Julie Mc Ghee, Ph.D., Newark, Delaware

 Calvin M. Davenger, Jr., Philadelphia, PA

                                            Shawn D. Mackey-McGee, Mt. Vernon, NY

                                            Libby Newman, Philadelphia, PA

 Justine Devan, Philadelphia, PA

                                            Barbara Wallace, Philadelphia, PA

                                            Adrienne Morrison, Philadelphia, PA

 Marlene Patterson, Philadelphia, PA

 C. Gloria Akers, Philadelphia, PA               

 Flora Eikerenekoetter, Media, PA

 Carlton Lee, Philadelphia ,PA

 Moe and Cheryl Brooker, Philadelphia, PA

 Honorable Blondell Reynolds Brown, Philadelphia, PA

 Dr. Lorraine Brown Long, Philadelphia, PA

 Universal Companies, Philadelphia, PA

 Joan  Meyers Brown, Philadelphia, PA

 Dr. A.Z. Holloway, Selma, Alabama

 Lawrence Pijeaux, Ed.D, Birmingham, Alabama

 William T. Williams, New York, New York

 Samella Lewis, PH.D., Los Angeles, CA

 William T. Williams, New York, NY

 Kim Sajet, Philadelphia, PA

 Lewis Tanner Moore, Warrington, PA

 Mary and Peter Mather, Philadelphia, PA

 David C. Driskell, Ph.D., Hyattsville, MD

 Myrtle and John  Williams, MD,

 Carolyn and Wendell Pritchett, Philadelphia, PA

 Lynn Sylvester, Washington, DC

 George Beach, Philadelphia, PA

 Dr. Joanne Godley, Philadelphia, PA

 

 

Up to $100                              Gail P. Smith, Washington, DC

                                               Carolyn E. Harris, Lake Ridge, VA

                                               Alfred T. Jackson, Newburg, MD

                                      Karen Witherspoon, Mt. Vernon, NY

                                      Grady Starks, Jr. Brooklyn, NY

                                      John Martin, Chicago, IL

                                      David C. Focer, Philadelphia, PA

                                      Artillia Brown, Philadelphia, PA

                                      Sandra Broadnax, Philadelphia, PA

                                      John D. Treadwell, New York, NY

                                      Terri White, Brooklyn, NY

                                      Muriel Gregory, Brooklyn, NY

                                      Janice Wells, Des Moines, IO

Samir Mukherjee, Philadelphia, PA

Anthony Parenti, Philadelphia, PA

Gloria R. Sulton, Washington, DC

Marie Murray, Chevy Chase, MD

Anita Moore-Hackney, Silver Spring, MD

James Frazier, Esq.,  Washington, DC

Millenium Arts Salon, Washington, DC

Sheila Crider, Washington, DC

Pat and Harry Ferrand, Washington, DC

Louis A Ford, Washington, DC

Ruth E. Fine, Takoma Park, MD

Wyneva Johnson, Washington, DC

Beverly A. Gray, Washington, DC

Bettye J. Robertson, Capitol Heights, MD

James A. Kilgore, Washington, DC

Lydia C. Waddler, Seabrook, MD

To become a member of the Friends, visit Membership or click on the donate button found throughout the web site.

 

 

 

 

 

 

 

 

 

 
Brandywine Collection on the Road
The Brandywine Collection in Dallas, Texas.
The Brandywine Collection in Orlando, Florida.
 
WHYY Visits Brandywine for a Feature on its "Experience" Video Series
 
Artist Janet Taylor Pickett discusses her print, Hagar's Dress, to be shown at the Double-X exhibit.   Founder and President Allan Edmunds in the Printed Image Gallery prepares for an on-camera interview.

Visit WHYY to view the video www.whyy.org/artsandculture/stories.html.