Event Information

October 21, 2017

National Museum of

American Jewish History

101 S Independence Mall E

Philadelphia, PA 19106

Since 1976, the Brandywine Workshop and Archives has honored individuals who have excelled in the fine arts as an artist, curator, art historian, patron, or collector. In addition to their achievements in the field, the awards also recognize contributions as an educator or advocate for social change through their work in the arts. This year, we honor a mid-career, Virginia-based artist whose large body of work already reflects a lifetime’s worth of exploration and accomplishments; perhaps the most celebrated contemporary artist on the continent of Africa today; and a legendary American art historian-curator responsible for some of the most historically significant exhibitions of the last three decades.

The Awards Gala is our major fundraising event that supports fees paid to our high school and college level internships at Brandywine. Traditionally, each award presentation is sponsored by patrons who subscribe to a limited edition print(s) created specifically for the Gala by the awardees. These prints will be reproduced over the next several months with much of the work occurring during the summer. If serving as a patron, you must rely upon the quality and value of the artist’s past work knowing that you will benefit with V.I.P. tickets, a discounted retail price on the actual work when finished, and a tax-deductible portion of the overall contribution.

The 2017 Awards Gala is also coinciding with our forty-fifth anniversary. I hope you will read the background information provided in this package on our organization and the artists we are honoring and consider participating as a Patron or Super Patron of the event. If you also choose to attend, we are providing hotel packages and other programs to make it a great weekend in Philly.

An opportunity we would like to share with our patrons is the ability to donate the original print(s) to an institution of your choice at full retail value and/or ticket(s) to a worthy young artist or student, who would otherwise not be able to attend. If you are considering to support and would like to choose one of these options, Brandywine is partnering with several art museums and university collections to create and grow the collections of their prints. We highly recommend any one of these institutions. A full list of these Satellite Collections is provided in the enclosed 2020: The Way Forward brochure.

Get your tickets!

VIP Admission - 6:30 PM - Entire Program
General Admission - 7:45 PM - Awards Program
Ticket sales end October 10, 2017


El Anatsui

El Anatsui was born in Ghana and currently lives and works between Ghana and
Nigeria. Anatsui is an internationally acclaimed artist who transforms simple materials
into complex assemblages that create a distinctive visual impact. His use of liquor bottle
caps and cassava graters to create sculptures reflects his interest in reuse, transformation,
and an intrinsic desire to connect to his continent while transcending the limitations
of place.

Anatsui is well-known for his large scale sculpture composed of thousands of folded
and crumpled pieces of metal sourced from local alcohol recycling stations and bound
together with copper wire. These intricate works, which
can grow to be massive in scale, are both luminous and weighty, meticulously
fabricated, and yet malleable.

In 2015, he was awarded the Golden Lion for Lifetime Achievement, the Venice
Biennale’s highest honor. His solo exhibition Gravity and Grace: Monumental Works
by El Anatsui was organized by the Akron Musuem in Akron, Ohio in 2012 and has
since traveled throughout the United States. His work has been featured in many
international exhibitions including the Venice Biennale and the Paris Triennial. Anatsui
has also been represented by the Jack Shainman Gallery since 2005.

More information on El Anatsui can be found through his gallery: Jack Shainman | El Anatsui

Sonya Clark

Sonya Clark was born in Washington, DC. She gained an appreciation for craft and the
value of the handmade from her maternal grandmother who was a professional tailor. Many
of her family members also taught her the value of a well-told story and so she finds value
in the stories held in objects.

Clark has been Chair of the Craft and Material Studies Department at Virginia Commonwealth
University School of the Arts in Richmond, Virginia since 2006. She is the recipient of
several awards including an Art Prize Grand Jurors co-prize, a Pollock-Krasner Grant,
a United States Artist Fellowship and an Art Matters Grant. Clark’s work is featured in
collections at the Philadelphia Museum of Art, National Museum of Women in the Arts,
Indianapolis Museum of Art, Virginia Museum of Fine Art, Musees d’Angers in France
among other institutions.

Her work utilizes unique and common materials like human hair, combs, beads, flags and
currency and provide an interesting perspective on culture and history. Her Comb Series,
for instance, tells of the meaning in the materials. The black plastic combs evoke a legacy
of hair culture, race politics, and antiquated notions of good hair and bad hair. On the other
hand, when a comb has broken or missing teeth there is evidence of struggle.

More information on Sonya Clark can be found through her website: http://sonyaclark.com/

Ruth E. Fine

Ruth E. Fine a Philadelphia native, artist, curator, and writer, she is the former curator of Special Projects in Modern Art at the National Gallery of Art in Washington, DC. Born in Philadelphia, she trained in printmaking and became the curator of the Lessing J. Rosenwald Collection before its move to the National Gallery. Her specialty has been one-man exhibitions by artists often associated with contemporary print-publishing workshops including Romare Bearden, Jasper Johns, Roy Lichtenstein, John Marin and most recently Norman Lewis. Photo of Ruth Fine by Charlotte Daley

Fine recently curated the traveling exhibition Processions: The Art of Norman Lewis in collaboration with PAFA becoming the first comprehensive exhibition exploring Norman Lewis and his contributions. Her work can be viewed here: https://www.pafa.org/normanlewis


Emma Amos

Benny Andrews

Romare Bearden

Nanette Rohan Bearden

John Biggers, PhD

Camille Billops

Robert “Bob” Blackburn

Charles Blockson

Moe Brooker

Selma Burke, PhD

Elizabeth Catlett-Mora

Barbara Chase-Riboud

John Dowell, Jr.

David C. Driskell, PhD

Sandra Dungee Glenn

Melvin Edwards

Samuel L. Evans

Edmund Barry Gaither

Sam Gilliam

Herman Gundersheimer, PhD

Richard Hunt

Johnny Irizarry

Lois Mailou Jones

Paul R. Jones

Paul F. Keene, Jr.

Leslie King-Hammond, PhD

Jacob Lawrence

Hughie Lee-Smith

Samella Lewis, PhD

Richard Long, PhD

Alvin Loving

Mary Lovelace O’Neal

Richard Mayhew

Evangeline Montgomery

Keith Morrison

Mamie Nichols

Gordon Parks

Howardena Pindell

Meyer “Pat” Potamkin

Betye Saar

John T. Scott

Charles Searles

Lowery S. Simms

Louis Sloan

Hank Willis Thomas

James L. Wells

Walter “Billy” Wolf

William T. Williams

Deborah Willis, PhD

John Wilson

Cecilia Yep

2017 Gala Planning Committee (as of April 1, 2017)

Walter E. Allen, Oakland, CA

Linda Lee Alter, Philadelphia, PA

Azuka Anyiam, PhD, Philadelphia, PA

Jude Arijaje, Philadelphia, PA

Zakiya Black Barnett, Esq., Philadelphia, PA

David Brigham, PhD, Philadelphia, PA

Hon. Blondell Reynolds Brown, Philadelphia, PA

Samella Lewis, PhD, Los Angeles, CA

Charles E. Mather, III, Philadelphia, PA

Keith Morrison, Meadowbrook, PA

Odili Donald Odita, Conshohocken, PA

Donyale Reavis, Esq., Santa Monica, CA

Tatiana Reinoza, PhD, Hanover, NH

Otis Robertson, Abington, MD

Clare Scarborough, PhD, Philadelphia, PA

Innis Shoemaker, PhD, Philadelphia, PA

Gail P. Smith, Washington, DC

Barbara Wallace, Philadelphia, PA

Dianne Whitfield-Locke, DDS, Mitchelville, MD